Our ever-increasing hunger for documentaries paired with greater availability of easily accessible and affordable archival footage has filmmakers in a creative conundrum: is it possible to have too much of a good thing? Inundated with huge amounts of material the always tough decision of what to leave on the cutting room floor is made even more agonizing.
Join Nina Krstic, the award-winning producer of “The Last Dance", as she discusses how her team took 10,000 hours of footage and shaped it into the ten dynamic hours of this smash-hit series.
